⚠️ WARNING - EXPLICIT LYRICS ⚠️ 18+
I warned you 🫠
Next chapter in the novel about the inside of my brain, the saga of juggling different choreographic avenues, and embracing imperfection:
When I get busy with jobs and only teach class infrequently, I get so consumed by the idea that the combo has to be perfect, amazing, a complete and accurate representation of myself and my choreography at that point in time (which is impossible).
It can feel too much of a risk to create something new that I might not like, which is why I sometimes prefer to bring back old combos. It can feel way too high stakes if I’m only teaching once every 6 months, and I’m currently working through why I feel as though one ‘bad’ class (for me) would permanently damage my reputation, and as I’m typing this I’m realising it’s definitely Kpop trauma 😂
It makes it harder to choreograph something new, because I still don’t see myself as having an identifiable, trademark ‘style’, and was raised and encouraged to be as versatile as I could, and don’t want to be put in a box - which is why I’m now trying to teach more, and just do whatever the fuck I want 🤣
Grateful for all that come to learn and push with me 🫶🏼
Anyway, point being - there’s so much I don’t like about this but
@kkyjones and I got into the studio and I felt a bit femme and trashy and slutty, all in the best ways, and wanted to just choreo vomit a combo, so that’s what this is, enjoy 💋
🎥 filmed by the best
@rudekoji
Thank you always
@mdcdance ♥️